设计师Erik Klarenbeek在3D打印的帮助下开发了有机椅子。该工作室专门研究它认为不寻常的事物，通过将大自然的材料和观点纳入他们的艺术中。菌丝椅是一个令人惊叹的例子，表现出审美外的声明。菌丝体在真菌的营养部分中，分支质量通常具有螺纹状的外观。克拉伦布莱克（Klarenbleek）采取了菌丝体的形式和特征，并将物质固定在椅子上，像裸露的Birchwood皮肤的表现力分支一样建模。
To construct the chair, Klarenbeek consulted with scientists and used experimental 3D printing organic material. The base form of the chair consists of straw and a thin coating of bioplastics. For the printing material, bioplastics mixed with mushroom substrates. Because mycelium forms a thread-like network soaking in nutrients and strengthening its form with biopolymers, the material poured into the chair shells will provide a sound structure once the mycelium is mature.
图片显示了蘑菇，真菌的果实，表明实验性有机3D印刷材料产生了二毛菌丝菌丝体。设计和实验使某人坐在活椅上，在呼吸生物体中休息。
It is a beautiful design and fascinating concept underscoring Green possibilities. The design itself embodies the organic with ornate curves and folds, yet it appears functional and relaxing, the right kind of chair to soak in a lazy evening under a Weeping Willow. With a bio mix such as the one used by Klarenbeek, the chair grows and breaths and consumes. It is a living thing holding another living thing in its seat. This design and production made possible with 3D printing experimentation connects, much like the threads of mycelium, technology, art, function and a more natural and healthy relationship between human and nature.
